The skinhead subculture was originally associated with black popular music genres such as soul, ska, rocksteady and early reggae. The link between skinheads and Jamaican music led to the development of the skinhead reggae genre, performed by artists such as: Desmond Dekker, Derrick Morgan, Laurel Aitken, Symarip and The Pioneers
In the early 1970s, some reggae songs began to feature themes of black nationalism, which many white skinheads could not relate to. This shift in reggae's lyrical themes created some tension between black and white skinheads, who otherwise got along fairly well. Around this time, some suedeheads (an offshoot of the skinhead subculture) started listening to British glam rock bands such as The Sweet, Slade and Mott the Hoople.
The most popular music style for late-1970s skinheads was 2 Tone, which was a fusion of ska, rocksteady, reggae, pop and punk rock. The 2 Tone genre was named after 2 Tone Records, a Coventry, England record label that featured bands such as The Specials, Madness and The Selecter. Some late-1970s skinheads also liked certain punk rock bands, such as Sham 69 and Menace.
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